From the second-story landing, the view descends to the entry foyer, where a custom Doris Leslie Blau rug grounds the room beneath a dramatic double-story window. The 1920s iron chandelier illuminates the tableau, while an Italian table, tucked into a built-in window seat, invites contemplation of the vista just beyond the glass.

Lee Hall’s “Connecticut Night Horizon” enriches the Lounge’s neutral palette with invigorating blues and deep, earthy shades. The custom sectional, with its couture French mattress stitching, provides comfortable seating, while an Anglo-colonial side table and tape-trimmed blinds enhance the quiet ambiance.

A custom bar fashioned by Bilotta Kitchen & Home transforms one side of this former guest bedroom into a space for cocktails and conversation, painted in a distinctive marine-blue finish. The brass and leather, nautically inspired, barstools provide seating for four. Through the right doorway, a 1947 painting by artist Robert Motherwell energizes the vestibule connecting to the living room.

A vertical Larry Poons painting from the 1970s commands this corner of the living room. At the same time, a Gissler-designed Anglo-colonial coffee table provides an oversized surface for books and decorative objects. A tufted ottoman can be pressed into service for extra seating.

Against pale blue-gray walls, a vintage spoon-back chair arcs with graceful lines, upholstered in Osborne & Little’s striped chenille fabric that complements the room’s palette. The bronze and hand-blown glass sconce from Apparatus provides ambient lighting, showcasing Thomas’s abstract work. Walnut wood tones add visual warmth.

This converging perspective view of the living room, visible from the entry foyer, draws the visitor’s eye to painter George Condo’s “The Butler” (2011), which hangs above the glazed-tile and millwork mantle.

Beadboard wainscoting paired with dark-stained floors establishes an authentic shingle-style character in this bathroom, where an antique cylindrical marble-topped shaving stand and a 19th-century bentwood chair blend historical detail with timeless functionality. Plantation shutters add privacy while allowing ambient light to pass through.

The dining room is furnished with late 19th-century English Arts and Crafts chairs from Newel Gallery, upholstered in a fabric from Hermès, and surrounded by a custom table made by Joseph Biunno. Alfred Leslie’s painting #44, 1959, anchors the blue walls painted in Donald Kaufman’s “Dusty Grape,” while a custom-designed chandelier illuminates the room in the evening.

The upstairs guest bedroom boasts remarkable water views to the bay and ocean from its corner position, with French doors opening to an inviting deck. A skirted armchair from Lillian August provides comfortable seating, while the antique Persian rug and paper-backed textile wallpaper combine to shape a soothing retreat for guests.

An antique bed dressed with classic mattress ticking bedding invites a restful night’s sleep in the guest room, complemented by a 19th-century American oak bedside table topped with a carved alabaster lamp.

The primary bedroom is outfitted with a bespoke mahogany king bed by Joseph Biunno, accompanied by an antique Sultanabad rug beneath it. A custom tufted chaise by Jonas Upholstery and an armchair from Rose Tarlow add an intimate conversation space, while 19th-century iron finial lamps provide light for reading. French doors open to an expansive oceanfront deck.

The extended covered porch, designed in collaboration with Fleetwood McMullan & Sanabria, runs the full length of the house and accommodates outdoor dining for up to fifty guests. Teak folding chairs and eight folding tables are stored on the home’s lower level, creating an impressive outdoor entertaining venue that overlooks the saturated gray-bottomed pool.

The expansive gunite pool stretches toward the elevated pergola, which serves as a dramatic focal point centered at the pool’s terminus. From this perspective, the rich blue-green water creates a striking contrast against the limestone terrace, while the temple-like structure beckons guests to a moment of post-swim relaxation.

The property extends from house to bay, where a private dock marks the water’s edge. Teak lounge chairs accommodate sun worshippers on the bluestone terrace, which transitions seamlessly into a grass-interspersed paver area, leading to the naturalized landscape. The variation creates a subtle visual bridge between the formal architecture and the waterfront setting.