The Living Room

For the living room of a colonial revival home by architect David Neff, Glenn Gissler drew his palette from the nearby Hudson River, which the house overlooks, and then enlisted abstract art to break up the symmetry of the classical proportions. The room’s airiness is grounded by an elegant panneled library behind it.

We are thrilled to be included in the Design Leadership Network’s beautiful new book, THE LIVING ROOM, published by Assouline. It’s a compendium of some of the finest rooms by the design industry’s best talents.

All Photography by Gross and Daley.

For the living room of a colonial revival home by architect David Neff, Glenn Gissler drew his palette from the nearby Hudson River, which the house overlooks, and then enlisted abstract art to break up the symmetry of the classical proportions. The room’s airiness is grounded by an elegant panneled library behind it.

For the living room of a colonial revival home by architect David Neff, Glenn Gissler drew his palette from the nearby Hudson River, which the house overlooks, and then enlisted abstract art to break up the symmetry of the classical proportions. The room’s airiness is grounded by an elegant panneled library behind it.

Interior design industry titan Jim Druckman hosted a  Design Leadership Network dinner at Danny Meyer’s Daily Provisions to launch THE LIVING ROOM.

 

Among the many party-goers was Marianne Howatson (seen bottom right), the CEO and Publication Director of Cottages & Gardens, speaking with Glenn.

Among the many party-goers was Marianne Howatson (seen bottom right), the CEO and Publication Director of Cottages & Gardens, speaking with Glenn.

Glenn Gissler, Jim Druckman of the New York Design Center at 200 Lexington Avenue and designer Barry Goralnick.

Glenn Gissler, Jim Druckman of the New York Design Center at 200 Lexington Avenue and designer Barry Goralnick.

While we are on the subject of LIVIING ROOMs, we design them and all aspects of projects based on locale, setting, lifestyle, clients’ values, and aesthetic preferences. We believe every room should reflect the homeowners as realized through our aesthetic lens. Here are seven examples–country houses and city homes–and a bit about the decor.

 

A stylized Chinese-inspired chain-link motif unfolds across a custom-designed area rug, establishing a colorful dialog with two armchairs in the style of Jacques Adnet, upholstered in similarly-hued paisley. Two lean classical end tables, a custom-colored linen table at the center, and a cast bronze thorn-leg table by Herve van der Straeten provide gracious space for a pair of white crackle-glazed lamps, drinks, books, and cherished mementos.

A stylized Chinese-inspired chain-link motif unfolds across a custom-designed area rug, establishing a colorful dialog with two armchairs in the style of Jacques Adnet, upholstered in similarly-hued paisley. Two lean classical end tables, a custom-colored linen table at the center, and a cast bronze thorn-leg table by Herve van der Straeten provide gracious space for a pair of white crackle-glazed lamps, drinks, books, and cherished mementos.

Another view of the LIVING ROOM  in our Nyack, New York project. The house provides a weekend respite from the client’s bustling life in New York City, where family and friends can gather every season. Follow this link to see how the palette extends to the other rooms in the home and to see images of the ingeniously-located pool we helped to create for the home.

 

A large mirror hangs over the custom marble-clad fireplace with roots in early modern architecture, a large coffee table, and a pair of French Art Deco armchairs with sinuous wood arms and a ‘Hocker Stool’ designed by Herzog and de Meuron sit on a striped flat weave rug.

A large mirror hangs over the custom marble-clad fireplace with roots in early modern architecture, a large coffee table, and a pair of French Art Deco armchairs with sinuous wood arms and a ‘Hocker Stool’ designed by Herzog and de Meuron sit on a striped flat weave rug.

For the LIVING ROOM in a penthouse loft in the SOHO neighborhood of New York City, we designed the space with a fresh perspective for empty-nester clients looking for a different vibe after years on the Upper East Side. 

A 20-foot-long sofa extending from the fireplace at one end to the TV at the other can accommodate a crowd. Follow this link to see how this home extends two floors beyond this entertaining space.

Gissler Soho Loft NYC Living Area Wide

Here’s a view from the other side of the light-filled living room. We feigned window treatments to celebrate the glorious city views. 

The living room is a study in soft greys and mellow burgundies, with sofas by Jonas Upholstery. The stool is 19th century, made from whale vertebrae, from Amy Perlin; the tree-trunk table is of petrified wood.

This LIVING ROOM studies soft greys and mellow burgundies, with sofas by Jonas Upholstery. The stool is 19th century, made from whale vertebrae; the side table is petrified wood, and the mirror over the fireplace is from Herve van der Straaten. The custom chandelier from Daniel Berglund is made partially from discarded jet-engine parts.

With abundant space, the challenge in this expansive Westchester County residence was creating unity, flow, and meaningful yet understated decorative relationships. The tone was set in the living room, concentrating on rich, resonant materials–artisanal plaster, cerused oak woodwork, and planed stone floors. The muted palette of taupes and driftwood greys, rendered in the pigmented plaster, achieve a subtle glow. Fabrics and objects provide accents of burgundy, red, and persimmon. Stone and dark wood floors, sisal matting, and rugs ensure continuity throughout the house, as can be seen by following this link.

This living room in Tribeca overlooks the Hudson River from Lower Manhattan. We selected a glorious and joyful painting by artist Larry Poons at a scale that is like a large window into another world. The sofa and armchair with ottoman are from Jonas, and the adjacent armchairs are from Roman Thomas.

This LIVING ROOM in Tribeca overlooks the Hudson River from Lower Manhattan. We selected a glorious and joyful painting by artist Larry Poons at a scale that is like a large window into another world. The sofa and armchair with ottoman are from Jonas, and the adjacent armchairs are from Roman Thomas.

The primary bedroom features muted green and coral tones, as shown by following this link.

Gissler - Tribeca Loft - Dining Room

A longer view shows the dining room, which has a pair of large framed mirrors to create a feeling of openness. Above the dining table hangs a branching bubble chandelier by contemporary designer Lindsey Adelman. A large Amethyst specimen is displayed prominently as the centerpiece on the dark-stained dining table from Holly Hunt.

Gissler - Family Apartment - Upper East Side - Living Room-New York Interior Designer

‘French 1940s’ was the aesthetic our clients requested for their large LIVING ROOM on East 66th St near  Madison Avenue. We sought the spirit of this historic style rather than recreation. The long room allowed us to create a large seating group at one end and position a table desk with chairs and a large etagere at the other in the gracious south-facing room. The custom rug is from Martin Patrick Evan.

The family sought a design for the living room that would be both livable and stylish; it leads to a superbly proportioned library, which can be seen by following this link.

A vibrant canvas by the late American abstract impressionist painter John Opper (1908-1994) takes pride of place in the apartment’s gracious living room. Two deep-seated sofas are upholstered in lush blue velvet, with a pair of club chairs covered in a Zak & Fox textile and two Regency-style benches covered in paprika-hued velvet. The curtains were tailored from a Cowtan & Tout floral fabric.

A vibrant canvas by the late American abstract impressionist painter John Opper takes pride of place in the apartment’s gracious LIVING ROOM. Two deep-seated sofas are upholstered in lush blue velvet, with a pair of club chairs covered in a Zak & Fox textile and two Regency-style benches covered in paprika-hued velvet. The curtains were tailored from a Cowtan & Tout floral fabric.

With the children grown and moved on to create their own lives, this couple was ready to redecorate the public and private rooms of the apartment they’ve lived in for four decades. In initial meetings, the clients shared their appreciation for jewel tones. The study and primary bedroom were decorated in softer tones; they can be viewed by following this link.

With a flat-screen TV hanging on the adjacent wall, this armless corner sofa affords ample seating for movie viewing, especially on chilly winter evenings with a crackling fire. Chunky seagrass matting underfoot grounds the tableau.

A flat-screen TV hangs on the adjacent wall in my Connecticut living room, with an armless corner sofa that affords ample seating for movie viewing, especially on chilly winter evenings with a crackling fire. Chunky seagrass matting underfoot grounds the tableau.

Finally, in my LIVING ROOM in Litchfield County, Connecticut, I created a multi-use space for coffee and morning newspapers, a mid-afternoon nap, or pre-dinner cocktails. Like many designers before me decorating their homes, I carefully considered each finish, furnishing, and detail, ultimately creating a house with rooms that reflect my interests in the decorative arts. I was thrilled that Elle Decor featured my home in the August  2024 issue. To see that feature, follow this link.   

HE BOUGHT A MODEST FARMHOUSE. ITS SECRET HISTORY SHOCKED AND AMAZED HIM

In this view of the living room, an unusual 19th-century Thebes chair fashioned from slender bamboo branches sits in front of a pair of cocktail tables by T.H. Robsjohn-Gibbings. Directly above the fireplace is Untitled (Dollar Bill) 2000 by Thomas Friedman; to its left is a portrait by the late Donald Baechler, which was Glenn’s first art purchase after arriving in New York.

In Praise of Books

The “Bookshelf Wealth” trend is about more than just the books. Decorative objects, travel mementos, and sculptures add to the mix, making a truly individual statement–a visual snapshot of the homeowner’s interests.

The “Bookshelf Wealth” trend is about more than just the books. Decorative objects, travel mementos, and sculptures add to the mix, making a truly individual statement–a visual snapshot of the homeowner’s interests.

Photo by Gross & Daley

Social media influences culture, with ‘trends’ popping up on platforms like Instagram (see us at @glenngisslerdesign) or TikTok vying for our attention.

There is one recent craze with a catchy, but sorta silly name that did garner my attention: “Bookshelf Wealth,” here summarized by The New York Times, “…there has lately been much ado about people who own a great number of books and — this is critical — have managed to stage them in a pleasing manner.” 

And it is not only the Times that has written about the trend: House Beautiful, Apartment Therapy, and Architectural Digest have all weighed in! 

I mostly welcome the focus on owning books because there has been a seismic shift in reading preferences in the digital age, with more and more people choosing online content over traditional books and other printed matter.

For this client in Litchfield County, Connecticut, we lined the entire library perimeter with floor-to-ceiling shelves to accommodate their vast collection of books. The royal purple is a playful choice counterbalanced by the buttery-yellow paint.

For this client in Litchfield County, Connecticut, we lined the entire library perimeter with floor-to-ceiling shelves to accommodate their vast collection of books. The royal purple is a playful choice counterbalanced by the buttery-yellow paint.

I grew up in a home with lots of books, accumulated by my father as a newspaper journalist with curiosity about history, great books, the youth culture of the 1960s and 70s, feminism, politics, urban planning, and much more. Despite feeling ‘oppressed’ by the abundance and pervasiveness of HIS books during my rebellious teenage years, I looked at more than a few of them, expanding my worldview knowledge of history and eventually developing my own passions, including books. 

My book collection really started in high school, gaining increased momentum during the seven years I was in college, collecting seminal and influential books on architectural and design history, as well as contemporary architecture and design. As a self-described ‘perpetual student,’ I have found endless inspiration from printed matter, and unlike some people who are content with borrowing books from a library, I like to keep my books around me!  



An armless sofa with silk velvet cushions in my Brooklyn Heights living room provides the perfect spot to consider the many volumes that stand at the ready on my bookshelves.

An armless sofa with silk velvet cushions in my Brooklyn Heights living room provides the perfect spot to consider the many volumes that stand at the ready on my bookshelves.

The library in my Greek Revival home in Litchfield County, Connecticut, is populated with a collection of vessels, decorative objects, and furnishings. I encourage guests to spend time here, considering one (or more!) of the books on a pair of shelves there.

The library in my Greek Revival home in Litchfield County, Connecticut, is populated with a collection of vessels, decorative objects, and furnishings. I encourage guests to spend time here, considering one (or more!) of the books on a pair of shelves there.

Many decades later, between my apartment in Brooklyn Heights, my weekend house in Litchfield County, and my design studio, my extensive collection includes countless (I don’t dare count!) design, architecture, cultural history, fashion, art, and photography books, modern literature, unique artist books, rare editions, and signed copies by Andy Warhol and Patti Smith.

Today, like nearly everyone, I spend too much time viewing digital technology, but I deeply appreciate printed matter and the tactile experience of reading on paper. Many of my design clients also share a love for books. People’s book collections are often a revealing and very personal history of their evolving interests and subjects they enjoy.

The physicality of books is an entirely different experience than viewing a screen; typeface and paper selection matter, well-conceived and edited printed images, double-page spreads, and detail images selected to inspire,  And so, in designing spaces, I almost always incorporate books, sometimes a LOT of books, and if space allows, I include objects or artwork and implement practical solutions like short horizontal shelves for oversized books. 



We imagined a creative way to utilize the alcove at the bottom of this sweeping staircase in a duplex near the United Nations.
Sherwin Williams’ Languid Blue 6226 bathes the ceiling of this Carnegie Hill entryway, inviting family and friends to relax in the way porch ceilings–painted in a similar shade–do in the American South. Follow this link to see the rest of this home.

In one New York City duplex apartment, we designed curved bookshelves below a sweeping stairway, emphasizing the integration of books into living spaces. Another home I designed has 1,000 art books, and another has a vast library covering a broad range of classic literature.



Custom built-in bookshelves wrap the perimeter of this apartment on lower 5th Avenue, which holds more than 1000 books revealing the history of art. As such, the dining table doubles as a home office and research space.

Custom built-in bookshelves wrap the perimeter of this apartment on lower 5th Avenue, which holds more than 1000 books revealing the history of art. As such, the dining table doubles as a home office and research space.

For clients with a collection of rare art books and first editions, we designed elegant cases with glass fronts to protect them from dust and excess humidity.

For clients with a collection of rare art books and first editions, we designed elegant cases with glass fronts to protect them from dust and excess humidity.

Looking into the future, it’s hard to predict how changes in publishing will impact printed matter. Some suggest books will go the way of the dinosaur; others think they’ll be more appreciated than ever. I am in the latter camp, so here’s to gathering “Bookshelf Wealth!”

Considering Ceilings

I used a wallpaper from Farrow & Ball for the ceiling of my library in Litchfield County, Connecticut. The metallic glint of the bumblebees adds movement while reflecting the generous ambient light - glorious in the day and at night! The classicist T.H Robsjohn-Gibbings is well-represented in this room with Klismos chairs, a vintage Robsjohn-Gibbings for Dunbar table with arches and a rare Robsjohn-Gibbings sofa draped in an antique Suzani textile lending gravitas to the space.
I used a wallpaper from Farrow & Ball for the ceiling of my library in Litchfield County, Connecticut. The metallic glint of the bumblebees adds movement while reflecting the generous ambient light – glorious in the day and at night! The classicist T.H Robsjohn-Gibbings is well-represented in this room with Klismos chairs, a vintage Robsjohn-Gibbings for Dunbar table with arches and a rare Robsjohn-Gibbings sofa draped in an antique Suzani textile lending gravitas to the space.  

Photo by Gross & Daley

“Ceilings must always be considered. They are the most neglected surface in a room”

– Albert Hadley

The ‘neglect’ of ceilings may have been the case in the zeitgeist of American interiors in the mid-to-late 20th century when Albert Hadley practiced the craft with his legendary counterpart Sister Parish. However, a longer review of decorative arts history tells a different story.

The fact is ceiling decoration has played a significant role in architecture and design history, evolving over centuries to reflect each era’s artistic, societal, and technological developments.
In ancient times, cultures used ceiling decoration to express their religious beliefs, social status, and artistic prowess. In Egypt, for example, temples and tombs featured intricate ceiling paintings depicting mythological and sacred ceremonies. The vibrant colors and symbolic imagery conveyed a sense of divinity and spirituality.

Similarly, in ancient Greece, temples showcased elaborate paintings and decorative elements on their ceilings, reflecting the Greek appreciation for beauty and balance.

The remarkable coffered ceiling that tops the Pantheon on the Piazza della Rotonda in Rome. Image courtesy o
The remarkable coffered ceiling that tops the Pantheon on the Piazza della Rotonda in Rome. Image courtesy of Unsplash.com
The Romans–never to be outdone by the Greeks–took ceiling decoration to new heights (quite literally!) with the invention of the coffered ceiling. Coffers, or recessed panels, were often adorned with intricate patterns and designs. This architectural innovation not only added a sense of grandeur to spaces like the Roman basilicas but also served a practical purpose by reducing the weight of the ceiling. 

The Pantheon, a seminal example of Roman engineering and design, features a stunning coffered dome that inspires architects to this day. 

As the Middle Ages arrived, the focus shifted to the ever-more ornate decoration of church ceilings. Gothic architecture introduced the rib vault and pointed arch, allowing for taller and more elaborate ceilings. 

Notre Dame in Paris showcased magnificent ribbed vaults and intricate stained glass, creating a celestial atmosphere that aimed to inspire awe and reverence. The ceiling became a canvas for religious storytelling in these medieval structures, with painted murals and detailed sculptures narrating biblical tales.



Italian and Flemish artists painted the Hall of Maps in the Vatican Museum in Rome under the direction of Ignazio Danti, mathematician, astronomer, and cosmographer. Image courtesy of VaticanMuseumRome.com
Italian and Flemish artists painted the Hall of Maps in the Vatican Museum in Rome under the direction of Ignazio Danti, mathematician, astronomer, and cosmographer. Image courtesy of Vatican Museum
Trompe-l’oeil techniques, where paintings create the illusion of three-dimensional space, also became popular during this period, adding depth and dimension to ceiling designs. One astonishing example is the curved ceiling in the Hall Of Maps in the Vatican Museum (a must-see in Rome!)

By the time the Renaissance arrived, a revival of classical ideas led to a renewed interest in symmetry and proportion. Artists and architects like Michelangelo and Leonardo da Vinci explored new techniques for ceiling decoration. The Sistine Chapel ceiling, painted by Michelangelo, is an awe-inspiring masterpiece that transcends time. 

Ceiling decoration during the Baroque and Rococo periods became even more extravagant. Over-the-top stucco, gilded moldings, and awe-inspiring frescoes adorned the ceilings of palaces and grand estates across Europe. The Palace of Versailles in France is the most famous, with its Hall of Mirrors featuring a ceiling adorned with gilded stucco and paintings that reflect the flashy style of the brazenly ostentatious Louis XIV.

A return to simplified, classical motifs arrives on the scene in the Neoclassical era. The emphasis on clean lines and restraint marked a departure from the excesses of the Baroque and Rococo styles. 

The 19th and early 20th centuries saw a range of successive styles, from the revival of Gothic architecture to the emergence of Art Nouveau and Art Deco. It’s also interesting to note that the Industrial Revolution brought about new materials and technologies, allowing for innovative approaches to ceiling design. Metal ceilings became popular as they provided a cost-effective alternative to traditional plaster. Tin ceiling tiles with intricate patterns became a staple in Victorian buildings. 

In the mid-20th century, the design shifted towards simplicity and functionality. Minimalism became dominant, with clean lines and unadorned ceilings gaining favor. 

These days, the approach to ceiling decoration is wildly diverse, reflecting a blend of influences and contemporary aesthetics born of design’s advancing democratization since the advent of the internet. It’s no wonder–designers have access to an unprecedented amount of reference material to spur their imaginations.

Showcasing that range, a recent story in 1st Dibs online magazine INTROSPECTIVE highlights various current approaches to ceiling designs, including a room by Glenn Gissler Design. 

Here are a few more examples of rooms where we took a creative approach to decorating ceilings.



For the ceiling of this waterside dining room in Nyack, New York, we chose Benjamin Moore’s “Bridal Bouquet 632” in a matte finish in contrast to the sheen of the mantel and moldings. Linen curtains in the same blue-green soften the interior architecture while framing the spectacular view. Follow this link to see the rest of the home.
For the ceiling of this waterside dining room in Nyack, New York, we chose Benjamin Moore’s “Bridal Bouquet 632” in a matte finish in contrast to the sheen of the mantel and moldings. Linen curtains in the same blue-green soften the interior architecture while framing the spectacular view. Follow this link to see the rest of the home.
Sherwin Williams’ Languid Blue 6226 bathes the ceiling of this Carnegie Hill entryway, inviting family and friends to relax in the way porch ceilings–painted in a similar shade–do in the American South. Follow this link to see the rest of this home.
Sherwin Williams’ Languid Blue 6226 bathes the ceiling of this Carnegie Hill entryway, inviting family and friends to relax in the way porch ceilings–painted in a similar shade–do in the American South. Follow this link to see the rest of this home.
In this West Village townhouse, a rock crystal Morrocan star chandelier hangs below a ceiling sheathed in Porter Teleo’s hand-painted “Refracted” wallpaper. Together, they create a sophisticated visual dialogue of angular shapes.
In this West Village townhouse, a rock crystal Morrocan star chandelier hangs below a ceiling sheathed in Porter Teleo’s hand-painted “Refracted” wallpaper. Together, they create a sophisticated visual dialogue of angular shapes.
Here is a corner view of my library in Litchfield County, Connecticut. The house is an early 19th-century Greek Revival structure with many original details intact. The burled-wood Beidermier cabinet serves as a bar; I invite guests to help themselves when cocktail hour arrives!
Here is a corner view of my library in Litchfield County, Connecticut. The house is an early 19th-century Greek Revival structure with many original details intact. The burled-wood Beidermier cabinet serves as a bar; I invite guests to help themselves when cocktail hour arrives!
A massive scale and of the striking English Arts & Crafts Armoire boldly holds one side of the room with its evocative form, and earthier finish a counterpoint to many of the more glossy, refined elements in the room.
The massive scale of the striking English Arts & Crafts Armoire boldly holds one side of this Brooklyn Heights’ room with its evocative form and earthier finish. It is a counterpoint to many of the more glossy, refined elements in the room.
The walls and inset panels of the arched and coffered ceiling in this dining room were painted in Farrow & Ball's Loggia No. 232, setting the tone for lively conversation. In contrast to the rich russet-red, a series of framed botanicals reference the gardens on the property beyond the glass.

The walls and inset panels of the arched and coffered ceiling in this dining room were painted in Farrow & Ball’s Loggia No. 232, setting the tone for lively conversation. In contrast to the rich russet-red, a series of framed botanicals reference the gardens on the property beyond the glass.     

It is interesting to think about how the evolution of ceiling decoration from ancient times to today mirrors the broader history of art, architecture, and design. Each era left its mark on how we approach the sometimes-overlooked “fifth wall” of a space. Synthesizing those historical references into fresh ideas for ceilings is just one of the many joys of my work as an interior designer.

LENS versus LOOK

Shades of muted aquamarine, cinnabar, and sandstone serve to punctuate this gracious living room, with seating for six--or more--when the homeowners entertain family and friends. At the far end of the space the window wall is framed with lush curtains, tailored from Cowtan & Tout's 'BROMLEY' printed linen.

Shades of muted aquamarine, cinnabar, and sandstone serve to punctuate this gracious living room, with seating for six–or more–when the homeowners entertain family and friends. At the far end of the space the window wall is framed with lush curtains, tailored from Cowtan & Tout’s ‘BROMLEY’ printed linen. 

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Many successful interior designers have a LOOK; they create instantly recognizable rooms, either through the employment of specific color schemes, blue and white spaces, for example, distinct styles, like traditional or modern, or signature elements that they favor, like particular light fixtures, finishes, or furniture silhouettes.

We take a different approach.

 Instead of having a LOOK, Glenn Gissler Design utilizes an aesthetic LENS through which we make choices, edit materials, and accessorize spaces. This LENS is informed by decades of crafting singular rooms–rooms specific to the homeowner we are working with. We take this approach because we believe the most successful interiors are those our clients have inspired us to create.

 Other factors, like the project’s location in the city, country, or beach, guide our decisions. The exterior architecture gives us clues, too; we consider the structural vocabulary of a home so that the exterior envelope and interior decorations are harmonious.

 Another guiding principle at GGD is that we NEVER SAY NEVER in the project’s planning stages. This way of thinking leads to distinctive and personal rooms. When everything is on the proverbial table, the creative process is only limited by the breadth of our (and our client’s) imagination. 

 Let me give you an example.

A vibrant canvas by the late American abstract impressionist painter John Opper (1908-1994) takes pride of place in the apartment’s gracious living room. Two deep-seated sofas are upholstered in lush blue velvet, with a pair of club chairs covered in a Zak & Fox textile and two Regency-style benches covered in paprika-hued velvet. The curtains were tailored from a Cowtan & Tout floral fabric.

A vibrant canvas by the late American abstract impressionist painter John Opper takes pride of place in the apartment’s gracious living room. Two deep-seated sofas are upholstered in lush blue velvet, with a pair of club chairs covered in a Zak & Fox textile and two Regency-style benches covered in paprika-hued velvet. The curtains were tailored from a Cowtan & Tout floral fabric.

In this recently completed apartment in the Carnegie Hill neighborhood of Manhattan, our clients asked us to create a home cohesively inflected with traditional references–including floral patterned textiles, which, while not a house code for our firm, became part of the scheme.

Having gathered floral fabric samples from various showrooms, we set off to present them to our clients. And as it turned out, they favored many from the heritage brand Cowtan & Tout. Something was alluring about the quality, texture, and sensibility of the firms’ selections. Below are some of their fabrics and how they were used in this apartment, including stripes and solids we sourced through Cowtan & Tout as well.

SEE THE ENTIRE PROJECT HERE

Anne Hanavan & Glenn Gissler

One last thought: In a world of impersonal and ever-more-automated interactions, we wanted to tip our hats to our sales representative from Cowtan & Tout, the delightful, energetic, fun, and responsive Anne Hanavan. She’s always available to help us source a textile–and her professionalism is first-rate! Here’s to you, Anne!

Throw pillows on the living room sofas were made from Cowtan & Tout’s JAGO in the colorway BURNT ORANGE.Throw pillows on the living room sofas were made from Cowtan & Tout’s JAGO in the colorway BURNT ORANGE.

Throw pillows on the living room sofas were made from Cowtan & Tout’s JAGO in the colorway BURNT ORANGE.

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The living room curtains were tailored in Cowtan & Tout’s BROMLEY, in the colorway SAND/RED.

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Dining Room has existing Cowtan & Tout upholstered walls in a discontinued Cabbage Rose.

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The Roman shade is tailored in Cowtan & Tout’s GISELLE STRIPE in the colorway PATINA in the home office. That pattern was also used as trim for the leading edge of the portiere curtain.

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Additionally, the window seat cushion and desk chair were covered in Cowtan & Tout’s ASTA in the colorway OCEAN. That fabric was also used for the headboard in the blue bedroom.

“We want to give clients a new home with carefully edited pieces that reflect their lives in a way that brings joy.”

– Glenn Gissler

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A sage-toned Bridgewater-armed club chair provides the perfect spot for afternoon reading or a cup of tea before bed. When paired with the curtains–tailored from Colefax and Fowler’s GREENACRE print–the tableau mirrors verdant Central Park just outside the window.

GC Magazine – Best Interior Designers in New York City 2023

General Contractors Magazine - Best Interior Designers in New York, New York - Glenn Gissler Design

Glenn Gissler Design was selected by General Contractor Magazine as one of the “Best Interior Designers in New York City” for 2023.

 

General Contractor Magazine – Best Interior Designers in New York, New York

New York, New York, the city that never sleeps, is a vibrant hub of creativity, culture, and style. Known for its iconic architecture, world-class museums, and trend-setting fashion, New York is a city that exudes sophistication and innovation. In this dynamic metropolis, the interior design scene is no exception.

 

If you seek the expertise of top-notch interior designers in New York, look no further. The list below features the best interior designers in the city, carefully curated by our team. These designers have a profound understanding of space, color, and aesthetics and a proven track record of transforming ordinary spaces into extraordinary havens. Whether envisioning a sleek, modern loft or a classic, elegant brownstone, these designers will bring your dreams to life.

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Glenn Gissler Design is a distinguished New York interior design firm well-known for its award-winning work and extensive recognition in the industry. With a focus on creating elegant, livable spaces and a deep understanding of the decorative arts, Glenn Gissler Design has become synonymous with exceptional interior design in New York. From transforming SoHo lofts to reviving classic Upper East Side “Classic Six” apartments to designing tranquil rural retreats and stunning seaside getaways, Glenn Gissler Design is known for crafting interiors that are spacious, filled with natural light and, above all, visually captivating.

 

 

The firm’s accolades include the 2019 American Society of Interior Designers New York Metro Design Excellence Awards for Outdoor Space and recognition as an honoree at the Brownstone RADD Awards in the same year. And Glenn Gissler Design continues to receive high praise and acclaim for its outstanding work. Highlighted in prestigious publications such as The New York Times, Town & Country, LUXE, and Elle Decor, Glenn Gissler Design’s unique design philosophy and commitment to creating captivating and comfortable interiors have firmly established the firm as a leading firm in the field.

 

GC Magazine

West End Apartment for Sale

Designed by Glenn Gissler Design, this exquisite, mint 10 room home, located in a premier Upper West Side prewar coop, will take your breath away. A private elevator landing welcomes you into a stunning apartment of enormous proportions. The grand entry foyer opens into a luxurious living room with a wood burning fireplace, a beautiful dining room and warm and inviting library.

StreetEasy: West End Apartment for Sale

See the full listing details on StreetEasy.com

Learn more about the design process and art selection.