Family Apartment – Greenwich Village

GREENWICH VILLAGE – NYC

Family Apartment

These Manhattan clients, art collectors and parents, acquired a 3000 square foot apartment in a particularly charming prewar building on lower Fifth Avenue, having already inhabited a smaller apartment in the same building. The new space, which required gut renovation, provided an exceptional opportunity for a more serious display of their collection of modern and contemporary drawings.

Capacious closets were plentiful; suddenly there was room for amenities such as a laundry room, central air conditioning, an office-cum-playroom which doubled as a guest room, two full baths and two half baths. Glenn also renewed much of the architectural detail in the apartment: crown moldings, baseboards and door casings were all painstakingly recreated.

The most striking attribute of the apartment was its abundant and spectacular views of Greenwich Village, seen through beautiful original steel casement windows. The dining room, in particular, comprised a large loggia with windows on three sides. So immense was the dining table designed by Gissler, that its top, made by Tucker Robbins of reclaimed wood, had to be brought in via crane!

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The master bedroom encapsulates the clients’ eye for art and decorative accents. The pencil drawing above the bed is by Alan Saret; the embroidered throw on the bed is a Suzani from Uzbekistan. The Liberty “Thebes” chair is a Gissler hallmark, a seminal work of decorative art which appears in several of his interiors.

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The master bath is a lean yet luxurious jewel box of satin nickel accoutrements and beautiful black mosaic tile, laid out in a design that expands the length of the room. Mirror panels in the deep set window bring in more light and view; the light fitting has an antique milk glass shade with Edison bulbs.

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In the entry, the rustic paneled cabinet is from Mexico; the lamp is crafted from a turned wooden urn with a pair of handles in a modern silhouette. The Egyptian-inspired drawing is by Nancy Spero; the ink drawing by New York artist Beth Dary. The candlestick is by Christopher Dresser.

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In the living room, two fine French art deco chairs, reminiscent of the faceted designs of Pierre Chareau, are from Maison Gerard, NYC. They reside with a collection of framed works on paper displayed cleverly along rails built into the wall.

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In the hallway, a 19th century chair is paired with a large drawing by New York artist Karin Davie. The silvery urn at the side is a large mercury glass vessel.

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In the foyer, an antique console is arrayed with glass vessels and an African mask; above hang works on paper by Jonathan Borofsky, Gordon Matta-Clark, Merit Cohen, Robert Smithson and Lorna Simpson.

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The newly built curving stair wrapped in cerused oak paneling, appearing as if it had always been a part of the building. An enormous custom Lindsey Adelman chandelier hangs dramatically in the large curved volume.

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In the living room, an array of 20th century classics is set out with variety and verve. At left, a pair of ‘Klismos’ chairs by Robsjohn-Gibbings vies with two leather Arts & Crafts stools, and an English club chair upholstered in red Manuel Canovas fabric.

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In a corner of the living room, abutting steel casement windows provide spectacular views of downtown Manhattan. A chair with sinuous wooden arms contrasts with the geometry of the windows. The owners’ cat naps on an elegant chaise longue.

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Bookshelves line the dining room, which opens onto the living room and its magnificent views.

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In the dining room, a modified antique gas chandelier casts a glow over the custom table crafted by Tucker Robbins of reclaimed wood. It seats fourteen. The mid-century Austrian chairs with pierced slats were designed in the 1950s for Vienna’s city hall, and were bought from Kimcherova. .

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Books constituted a major aspect of the clients’ collecting activities, and shelving for them was a major architectural feature of the apartment.

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Art pervades the kitchen, with a large drawing by Donald Baechler.

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Expanses of sparkling white “subway” tiles create a pristine backdrop for the splendid stainless steel double-oven range and crisp millwork.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Union Square Apartment

NEW YORK CITY

Union Square Apartment

The client, a young banker, was thrilled to purchase this first apartment in New York City overlooking bustling Union Square.

With some small architectural changes to the original layout Glenn Gissler Design was able to improve the functionality of the open floorplan, while creating a warm and inviting interior.

A new wall added between the kitchen and living room allowed for additional storage in the kitchen while added a discrete place to install a large television. The new living room configuration allowed for a 10’ sofa perfect for lounging and entertaining for the young client.

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Since the dining area also services as the arrival point into the apartment, it required a balance of form and function. The space is anchored by a custom banquette and a walnut topped dining table combined with a sculpture modern pendant by Pallucco and a pair of equally angular geometric gouache paintings by Doug Holst.

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The new living room configuration allowed for a 10’ sofa perfect for lounging and entertaining. A durable stone coffee table was used and tailored pin-striped area rug was used to define the space.

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At the far end of the living room, a grid of framed original Rorschach inkblot plates were installed on the warm grey walls and a modernist Italian recliner is a sophisticated alternative to a Barcalounger for watching the game.

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A sculptural chair made from rustic planks of wood adds interest to the otherwise modern sitting area.

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In the Master Bedroom, a large blackened-steel bedside table offers ample room for a tableau of globe-inspired objects, including a metal embossed Indian trunk and African currency. A large framed mirror was strategically placed above the bed to reflect the view of Union Square Park and a lithograph by Bryan Hunt was leaned on the ledge behind the bed.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Family Loft – Lincoln Center NYC

LINCOLN CENTER, NYC

Family Loft

This growing family had moved from a three-bedroom apartment in a small post-war building in Greenwich Village to a dramatically larger, vastly different space: a 3000-square foot loft in a converted former warehouse near Lincoln Center. Challenged by scarce natural light and impractically long dark hallways, we rearticulated these spaces into a dwelling very human in scale, suited to entertaining and to more intimate family time alike.

The furnishings, a mix of custom contemporary pieces with 1940s French design, are a lively array, preserving the downtown Manhattan edge of the family’s former residence while lending a greater level of comfort and elegance to the new loft. Layers of African and Asian textiles and artifacts augment the distinctive eclecticism of the rooms.

The finished Lincoln Center loft reveals the fresh character that architectural rethinking, sensitive detailing and imaginative furniture choices can attain in a near-raw space.

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A Jacob Hashimoto collage above the oversized sofa sets the scene: fine art meets family living.

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Finest quality custom upholstered furniture with a rich selection of textiles, art and antiques make this living room both supremely comfortable and visually interesting. In front of the sofa is a broad ottoman upholstered in leather; in the corner, near the window, a chaise is covered in linen velvet by Calvin Fabrics. The throw, from Sarajo, is fabricated from a vintage black and red cape from Sumatra. The luxurious area rug, of vegetable dyed hand-knotted Tibetan wool is from Odegard.

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The dining room transmits a French post-WWI aesthetic–machine-inspired furniture forms executed in a traditional material–in this case, oak. The 1930s modernist sideboard is by Charles Dudouyt. Atop the sideboard is a patinated brass and copper mirror custom made by Bark Frameworks, wider and longer than the cabinet, so that its surface appears doubled. A cast bronze fireback, a silvered vase, and an African sculpture add ornamental interest. The painting is by Joan Mitchell.

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The bright pumpkin leather of a Thomas O’Brien tight-back armchair is paired with an ebonized wood console table topped in black marble designed by Glenn Gissler. The table lamp is fabricated from a printing cylinder. The two-handled vase below, glazed the color of saffron, is by late 19th century British proto-modernist designer Dr. Christopher Dresser.

"We find it hard to believe we actually live in such a beautiful apartment! Glenn designed a distinctive and comfortable family-friendly apartment that works well when we are all together but also provides autonomy for everyone."

– Client

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A French 1940s console attributed to Pascaud, with doors of inlaid shagreen and bone, creates a serene tableau at the end of a long hallway. A pair of classic signed Tiffany candlesticks, c. 1900, from Ophir Gallery, are of patinated bronze with bronze candle cup and ‘organic root’ base. Stiges wall sconces, from Roman Thomas, are of oil-rubbed hand forged iron with stitched silk pearl shade.

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A long hallway hung with contemporary art terminates in a bright checkerboard painting by American abstract artist Alfred Jensen.

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We paid special attention to augmenting storage capacity–the oversized mirror is in fact a custom 3-way medicine cabinet. The round mahogany stool is antique Chinese.

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Apple-green tile and smart stripes on the kitchen counter stools make this internal kitchen sparkle, along with the shining stainless steel professional range.

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Working directly with this teenage boy we created a bedroom that reflects his desire for both geometric order and simplicity, and the his favorite color – blue.

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Transitioning form a little girl’s rom to a room for a teenage girl we created a bright cheery palette and sophisticated furnishings to create a space that is more lounge than bedroom – putting two twin beds together with a plethora of pillows to create a 12 foot long sofa for she and her friends.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Pied-à-Terre – Upper East Side, NYC

UPPER EAST SIDE – NYC

Pied-à-Terre

The clients, natives of Sao Paulo, love New York City, and wanted to establish a sometime home there, where their children and grandchildren could visit and they might entertain. To import the colors and cadence of Brazil was a joyous assignment for us, an unusual, less sedate take on modernism which draws inspiration from Latin American architects such as Brazil’s own Oscar Niemeyer, landscape architect Roberto Burle Marx, and Mexico’s Luis Barragan.

We adopted Niemeyer’s and Marx’s love of undulating biomorphic shapes in our selection of ceramics and artworks; and Barragan’s bold use of color to demarcate planes and announce room transitions. These architectural trends are hinted at, echoed rather than imitated. Instead of painting a whole wall orange, as Barragan might have done, we brought in this luscious, vibrant color more sparingly: the large ceramic lamp in the entry; the pillows and napkins in the dining area; and the back of a shelving unit. Yet the dominant colors–coffee brown, cinnamon and natural walnut–also speak of Brazilian tropics and tastes.

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A custom banquette upholstered in distressed buckskin, and “Turner” chair in Kravet’s Diamond Raffia surround a custom walnut table top from Nutech Interiors. The large late 1950’s abstract painting in grey, black and white evinces the spirit of cool jazz.

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The slim, handsome custom one-armed sleeper sofa from Carlyle is juxtaposed with a jaunty abstract rug by John-Paul Philippe for West Elm, and Rietveld’s classic Zig Zag Chair.

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We created an ensemble with an aura of Latin sophistication. The sideboard was crafted from rare, exotic peroba wood salvaged from the siding and floors of old buildings in Brazil. The 1960s orange stoneware lamp sets the vibrant mood of the entire apartment. The 1970s bentwood and cane stool and African sculpture complete the earthy, quirky atmosphere.

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Earthy modern ceramics populate the large multi-use low table in the Living Room, with pops of color provided by textiles used on pillows and a vintage Kente cloth throw with a common orange thread.

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A rich warm palette and comfortable mid-century style furniture overlook the cool geometry of the NYC landscape.

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In the spacious bedroom, a custom bedside console floats along the wall, illuminated by the Machine Age lamp designed by Edouard-Wilfred Bouquet. The print is by Robert Motherwell. Archaic elements make their way into the room: a vintage Thebes Chair with leather upholstery and a small vintage Moroccan rug, c. 1940s, from Jacques Carcanagues.

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A tailored upholstered head board combined with custom wall-mounted mahogany bedside cabinets with Edouard-Wilfred Buquet articulated lamps continue the clean-lined mid-century story.

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In a definite nod to simple luxury living a modern vanity was designed to provide a perfect location near the large window for the application of make-up, and completion of finishing touches.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Duplex Apartment – Brooklyn Heights

BROOKLYN HEIGHTS – NYC

Duplex Apartment

This brownstone duplex – Glenn Gissler’s own — in the heart of historic Brooklyn Heights, represents a fine distillation of the designer’s development over the past three decades. The tailored, masculine sensibility of these rooms is expressed through unabashedly dark colors–camel, chocolate brown, and  green-black–which create a subdued yet rich background for Glenn’s collection of art, furniture and objects, grouped in tableaux which he regularly rearranges.

As a collector of Arts & Crafts and Aesthetic Movement furniture, both American and British, he free reign in this apartment to incorporate seminal examples of such design. Thus a Liberty & Co. “Thebes” stool has pride of place beside a very contemporary settee, upholstered in a chocolate and cinnamon woven stripe. Christopher Dresser ceramics, contemporary drawings and other works on paper, including distinctive “outsider art” harmonize with curtains patterned like African fabric and a rich selection of natural yet polished materials–dark green granite, exotic hardwoods, and burnished metals.

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With its imposing wall of books, the downstairs sitting area doubles as a library.

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The living room is a layered, complex arrangement of both geometric and more biomorphic forms. The custom coffee table is assertively asymmetrical, while the green-glazed ceramics, by Christopher Dresser for Linthorpe, are rounded and gourd-like. The “Thebes” stool is a Gissler signature, a favorite form he incorporates into various interiors.

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Curtains in patterned fabric by Pollack form the backdrop for a tall dark green Mexican ceramic and a sculpture by Christopher Dresser.

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A crisp classic of early 20th century design–De Stijl designer Gerrit Rietveld’s Zig-zag chair–the framed drawing that dominates the vignette is a 1958 work by American artist Sonia Gechtoff.

"While it was a big change to move to Brooklyn after nearly three decades in Greenwich Village and Soho, the duplex apartment offered space and amenities that I could never have afforded in Manhattan . . . after living in single floor apartment it was a revelation to live on two floors – the spatial definition offers a sense of privacy and luxury that it’s hard to imagine!"

– Glenn Gissler

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Gissler designed the chandelier that hangs above a 1950s Baker dining table. A Le Corbusler work on paper to the left of the fireplace is balanced by one on the right by American abstract expressionist Seymour Lipton.

The elegant kitchen serves as the apartment’s de facto entry hall, with glossy green cabinetry, expanses of mirror glass and granite countertops.

"I wake up every day looking at a richly planted terrace that connects me to nature and creates a sense of calm. I love my apartment cherish my books and objects and treasure my art collection, but I like my apartment best when engaged with family and friends in my home. I have been acquiring items that give me pleasure for many decades – they rarely remain in the same location for too long as I am interested in the dialogue between them – like friends at a party! All of the art that I own is from the 20th century – some early and some late in the century – I love to find relationships between seemingly disparate works as I understand them more and more."

– Glenn Gissler

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French Art Deco armchair, faux shagreen coffee tables and framed art matted in white provide a pale contrast to the wall color of bitter chocolate. The yellow artwork is by the well-known American artist Donald Baechler.

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In this aerie under the eaves, exposed roof beams create a unique feeling of shelter; the room’s unusual scale resembles that of a Paris atelier.

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On the walls – the color of bitter chocolate – is an assemblage of contemporary works on paper.

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Classic garden furniture from Restoration Hardware makes of this city terrace a place to enjoy nature, as well as to entertain.