Gramercy Park

GRAMERCY PARK – NYC

Gramercy Park Apartment

These engaged and willing clients, a couple moving from California, sought to create an interior in their prewar Gramercy Park two bedroom – with keys to the Park — that would express emotion, even passion. One of the clients was from South Africa and possessed some heirlooms belonging to his grandfather, including a grand piano and artworks, forming an interesting family legacy which introduced color and and a certain exoticism into the apartment.

Instead of using the second bedroom as a guest room, we chose to create a den for work and entertainment; this has turned out to be a delightful and much-used room.

The couple are master chefs, and multi-course dinners with carefully selected wines were a priority. We created a dining area with a banquette; a closet was transformed into a stunning bar. We furnished the terrace with pieces from Restoration Hardware, making of it another place for dining.

By actively engaging these gastronomic connoisseurs in the design design process, their evolving visual sense came to be reflected in the colors, textures and objects of this highly personal apartment.

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A lively striped carpet in tones of cinnamon and cream provides a basic palette and ground for custom and antique furniture, including a black-painted Moroccan stool of the Victorian era.

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An X-front American chest of drawers, 1950s, sets the stage for a collection of green-glazed pots and an spiraling cylinder fashioned into a table lamp. We extended the custom mirror beyond the chest for an added feeling of space. The carpet, from Stark, is in a Greek key pattern which appears almost stenciled.

"Thanks to his architectural background, Glenn Gissler is a master at transformative spaces. His unique eye for materials, shape and color manifested in a seductive, sumptuous and luxurious space that has become our new home in Manhattan. Working with Glenn and his extended team of highly talented, professional and caring artisans and contractors yielded a formidable result we are extremely proud of."

– Client

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Converted from a closet, the bar is a special delight, inspired by Charles James’ bar for the De Menils in Houston. The clients are oenophiles, with an esoteric knowledge of wines and spirits. The granite top is Uba Tuba from Stone Source.

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Converted from a closet, the bar is a special delight, inspired by Charles James’ bar for the De Menils in Houston. The clients are oenophiles, with an esoteric knowledge of wines and spirits. The granite top is Uba Tuba from Stone Source.

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In the kitchen, Dresser ceramics and an expresso maker have pride of place on the Uba Tuba counter. The couples baby grand piano appears though the doorway.

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While the kitchen is diminutive, we managed to incorporate superlative appliances that speak to the clients love of all things culinary.

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The den, painted in Benjamin Moore’s “Northwood Brown,” with dark wooden blinds at the window, is well lived in by the clients and their guests, who enjoy the comfort of a sleeper sofa upholstered in Holly Hunt velvet with pillows covered in vintage Kente fabric.

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Bone-colored subway tiles create a ruggedly masculine environment, accented by the antique paddle mounted on a custom stand and an industrial sconce in steel and brass

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By removing part of a wall of closets, we created a little sitting and work area, with a banquette and midcentury table and lamp, like one would find in a good hotel. The bed skirt is of vintage washed Belgian linen; the bedding, from Aero. Walnut and marble nightstands are by Bert English, 1950s.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Brooklyn Heights

BROOKLYN HEIGHTS – NYC

Brooklyn Heights

The design for this ‘19th Century Living Room for the 21st Century’ in the first Brooklyn Heights Designer Showhouse was supported by a number of New York’s finest antique, contemporary and fine art dealers – all from 1stdibs. Within the existing formal architecture, the room was designed for a living today using a multifunctional layout including a generous seating group, a large table-desk, and a large storage cabinet. The 19th-century Khorassan carpet reinforces the history of the 1867 house, while perfectly sized for the grand space, with enough room for the original Greek-key floor inlay to be seen throughout.  The surprising shimmer of gold metallic bee silhouettes on the Farrow & Ball ‘Bumble Bee’ wallpaper covering the entire ceiling in this graciously-scaled living room in a wide townhouse built in 1867.

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A bold Larry Zox painting from 1967 hangs in sharp contrast to the original 19th-century curvacious marble fireplace surround. Extending the main seating area into the center of the room is a vintage Vladimir Kagan sofa paired with a Maxine Old center table and a vintage stool, one of a pair.

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A massive scale and of the striking English Arts & Crafts Armoire boldly holds one side of the room with its evocative form, and earthier finish a counterpoint to many of the more glossy, refined elements in the room.

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The 1959 painting by Abstract Expressionist painter Judith Godwin, entitled ‘Black Cross’, pairs beautifully with the striking Jules Leleu modernist table-desk and the pair of vintage Jacques Adnet leather-wrapped chairs. The rusted steel sculpture by Marino di Teana sits proudly on a mahogany pedestal in the window.

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The grey-blue Milano sofa from Dmitriy & Co. anchors the primary seating area of the room. A large-scale painting by artist Dan Christiansen, “Dolby”, loaned by Berry Campbell Gallery, hangs above the sofa. The magenta tie-dyed pillows add complimentary saturation of color to the sofa, while coordinating with the painting above.

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The luminous 1958 painting by Walter Darby Bannard, a strong complement to the existing 19th-century architectural details of the room, hangs above a pair of 1930’s Bjorn Thagard armchairs upholstered in a pale celadon velvet, and a set of T.H. Robsjohn-Gibbings nesting tables.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Chelsea Loft – NYC

CHELSEA – NYC

Chelsea Loft

This loft in Chelsea, owned by Glenn Gissler, was a place of design ferment and experiment, an arena for working out long-held design convictions and exploring completely fresh modes of decorative expression. Deep wall colors create a rich, shadowy atmosphere in the main living room, yet other spaces are equally notable for bursts of natural light, a chiaroscuro that informs all of Glenn’s work.

Collections of photographs and contemporary works on paper abound, along with piles of art and design books. We see certain Gissler signatures– Rietveld’s Zig-Zag chair; Christopher Dresser’s metalwork and green-glazed pottery–but there are new artistic elements as well. A Frank Stella black print from the 1970s vies with a plethora of stark, moody near-abstract black and white photographs. The loft represents a tension between the stability of well-loved furniture and objects and the restless desire for new knowledge which is the lot of every true collector and connoisseur.

Amidst experiment, Glenn did not stint on comfort, which is, as much as his devotion to art, a Gissler hallmark. Velvety tufted sectional sofas invite the guest to take in and assimilate the wealth of art and objets which fill this space.

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A favorite striped sofa is ensconced among a huge green urn and brass candlesticks, both by Christopher Dresser. On the wall, vintage and contemporary photographs invite closer scrutiny.

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A broader view of the living room reveals subtly lacquered surfaces. The asymmetrical coffee table is the color of snap peas; the walls are a bitter chocolate reminiscent of that used by Billy Baldwin in his own famous apartment. Rope seated Klismos chairs by Robsjohn-Gibbings are muscular, yet sinuously feminine in outline.

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On a 1950s biomorphic etagere, a print from Frank Stella’s black period is displayed on a modern stand; assorted green pottery completes the tableau.

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A massive Arts and Crafts oak dining table is surrounded by chairs with distinctive X splats. White-washed brick walls create a light space.

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Kitchen cabinets are lacquered elegant blue-black, displaying a collection of creamy white wares by Russel Wright.

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In the kitchen, an improvised bar beckons. Silver bowl is by Wiener Werkstatte designer Josef Hoffmann.

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In the bedroom, a light palette, of white and apple green.

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Natural wooden blinds, the color of chopsticks, emphasize the lightness of the bedroom, along with Rietveld’s Zig-Zag chair.

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An impossibly slender Tiffany candlestick and two ancient fragments of Buddhas, along with a spiky bit of a shark’s jaw create an ambiguous yet contemplative shrine.

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A chair by artist Donald Judd lacquered in dark red is juxtaposed with a selection of contemporary art.

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A medley of browns: the whole-wheat color and texture of an upholstered chair; the chocolate of the wall-color; and a striped pillow in shades of golden brown.

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In the bathroom Glenn used a vivid cobalt blue worthy of Mondrian as a backdrop for a photographs.

Senior Designer Craig Strulovitz
Photos by Gross & Daley

Family Home – Central Park West

CENTRAL PARK WEST – NYC

Family Home

This project for long-time clients began in the early 1990s, when, with their growing family, they lived in a four-bedroom apartment with high ceilings, “great bones” and views of Central Park. The living room was double-sized, but there was only a small service kitchen at the back. When they bought the apartment upstairs, there was suddenly wonderful space as well as superb structure to work with. It became possible to accord sophisticated design thinking and dignity to every room, including utilitarian ones: the bathrooms, kitchen, wine cellar, service areas, and an expanded family room.

We moved all the bedrooms downstairs. Upstairs, the new kitchen, transplanted to the front and converted from what had been a parlor, became an important, spacious place for family and entertaining as well as a design statement. We reconfigured hallways and doors, essentially creating from what had been two apartments a family “house” in the midst of Manhattan, with all the comforts, amenities and technological advances one might expect in a townhouse.

The clients’ taste in furnishing might be described as “venerable simplicity”: the dark, polished woods of the 19th and early 20th century antiques coupled with velvets and linens–in one case we used the reverse of a printed linen for more subtlety–but all used sparingly. If the furnishings exhibited the contours and patina of an earlier century, our approach to space was almost severe, as in the master bedroom where a splendid expanse of dark stained floor, coupled with an installation of artist Kiki Smith’s custom silk wallpaper are the main protagonists. If less is sometimes more, then what isthere must be of the highest order of aesthetic value and craft.

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Golden light suffuses a palette of wheat and honey tones, with a deep sofa in cinnamon velvet and a strie carpet. Curtains in pale gold silk and parchment lampshades add to the luminous quality of the living room, along with a large abstract painting in the same colors.

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A massive hall table upheld by a carved figurative base, is laden with Aesthetic Movement ceramics, including pieces by Christopher Dresser. Nearby is a classic Liberty Thebes stool, another icon of the Aesthetic Movement in England.

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A view of the dining room from the Entry reveals, at right, an important ceramic, a dark green two-handled urn by Dresser atop a tall Regency cabinet. Views from the dining room are of Central Park. Over the table hangs a 19th century iron chandelier; chairs are studded with decorative brass tacks.

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The kitchen is one of the glories of this home, fitted out with the latest technology yet inflected with early 20th century design traditions. The pale grey-green painted millwork is trimmed in gleaming stainless steel. Even the light fixtures, simple shaded bulbs, are arranged on the ceiling in a grid pattern, as one might see in an Edwardian kitchen.

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A long muscular antique table and chairs are lit by a double shaded fixture. The doorway opens onto the family room, with leather furniture and bookshelves.

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Comfort, elegance and durability cohabit in this family room equipped with boxy studded leather chairs and generous library shelves filled with art objects as well as books.

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A mahogany writing desk and distinctive U-shaped chair against the dark-stained floor are balanced by the pale cream of the built-in closets (at left) and buoyant light-colored Roman shades.

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A sparkling white-tiled dado and washstand of white marble with polished nickel supports are complemented by cafe-au-lait upper walls.

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In the den, embroidered pillows and framed dried ferns add texture against a chocolate wallpaper.

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A handsomely appointed Master Bathroom, with wide Uba Tuba granite sink is enveloped in a rare, pumpkin-colored wallpaper with a stylized pattern of slender leaves, designed by the great Viennese designer Dagobert Peche.

Senior Designer Craig Strulovitz
Photos by Gross & Daley