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The Devaluation of ‘LOVE’

Design, Ruminations

Glenn Gissler - Blog - 2015 - ILI-black

 

In the world we live in people often feel compelled to express grandiose reaction to things, experiences and people – resulting in the overuse of three words:

 “I  LOVE  IT!”

Is this grandiosity yet another effect of the celebrity-driven-reality-TV-selfie times in which we live?

Are people living their lives as if the cameras are rolling?

Or is it a devaluation of LOVE?

 Shopping for clothes:

“I  LOVE  IT!”

Looking at furniture:

“I  LOVE  IT!”

After hearing a joke:

“I  LOVE  IT!”

Looking at Art:

“I  LOVE  IT!”

etc., etc., etc…

 

For me, LOVE is a big and meaningful word.

Perhaps this attention to the ‘meaning’ of words is due to the influence of my father, an accomplished journalist f0r whom words have real meanings, and should be used judiciously.

Having a strong emotional reaction to things, experiences, and people is something I understand. In fact, beauty, delight – and yes, even love – are essential ingredients for me in the process of living, and in the process of design; but I am seeking an enduring love, not a momentary crush. I have found that the novelty that can incite a crush rarely stands the test of time.

Sometimes the subject or object or person at hand is suitable, good, great, excellent, superb, perfect, incredible, even inspired; however sometimes it is just fine, the sensible thing, perfectly appropriate, in good taste, a great solution, but it doesn’t necessarily evoke “I  LOVE  IT!”

Whether it is my own reaction, or someone else’s, I am suspect of the immediate “I  LOVE  IT!” response.  Will the feeling last?  Or is it merely a novel rush of adrenaline?   Never mind that these three words can sound disingenuous, if not utterly meaningless.

Much of what I do as a designer is to identify, and then solve problems, LOTS of problems requiring LOTS of solutions. Experience, logic and intuition play significant roles in this problem solving; and no I don’t LOVE every solution. I am in pursuit of a kind of alchemy. This alchemic phenomenon can occur when the cumulative effect of experience, collaboration, invention, a thoughtful approach and intuition are brought to bear in problem solving; where this combination of considered choices results in layered, nuanced, interesting, intelligent, subtle and maybe even sublime, spaces and experiences that can evoke a deep-seated LOVE, one that endures over time like a wonderful and satisfying personal relationship.

Suffice it to say, I don’t love,

the unfortunate overuse of

 

“I  LOVE  IT!”

 

P.S.  I do LOVE the sincere use of LOVE!

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Behind the Scenes: Powder Room

Design

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A bold wallpaper called ‘Antinous’ designed by the Viennese designer Dagobert Peche in 1922 is the dominant element in this Central Park West Powder Room, and is available through the shop at The Neue Galerie.

The patinated bronze washstand was fabricated by Klaxto Vederstein with honed Uba Tuba stone top, while the ‘Aero Retro‘ lavatory fittings in satin nickel sink are from Waterworks.

The custom ‘Cay Lanterns’ with two candles and antiqued mirror backs are from The Urban Electric Co. The Arts & Crafts suspended ceiling light was found on eBay.

The custom mirror is patinated copper clad over a wood frame from Bark Frameworks. The photograph seen in reflection is by Emmet Gowin – represented in NYC by Pace/MacGill Gallery.

 

Christopher Spitzmiller: Handcrafted Lighting Made in NYC

Design

Glenn Gissler - Blog - 2015 - Chris - Lamps - 1

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Elegance – Quality – Beauty – Sophistication

What’s not to like about Christopher Spitzmiller lamps?? 

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I am on a continuous search for distinctive lighting for all of my design projects, and tend to avoid manufactured lamps, with the exception of Christopher Spitzmiller.

Crafted by hand and with heart, the lamps have been wonderful additions to a number of my projects (as evidenced in the image of a bedside table above.)

Who is Christopher Spitzmiller? What is it about his products that are so special? And what’s next? I decided to investigate…

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#TBT – Living Room – circa 1990

Design

The seating arrangement on one side of the living room balance a baby grand piano and an antique French daybed on the other side of the room. The tailored furniture is upholstered in golden hues, deep purple, and vibrant leafy green has the room feel luxurious yet inviting.

 

I designed this Living Room 25 years ago, but this photos is from a year ago. After visiting my friends and former clients a couple of years ago I found that the project had held up, literally and figuratively, so I went in and shot new photos of an old project.

The ‘story’ here is in some ways about the importance of making thoughtful decisions in the design process in the interest of providing enduring value.

Anchoring the room are two custom Carr sofas from Jonas upholstered in Gretchen Bellinger ‘Applause”cotton velvet – and yes, it is the original upholstery.

A Pyrex glass cylinder ‘Saladino Lamp’, designed by John Saladino in 1971, sits on a table behind one of the sofas

The Barcelona Table designed by Ludwig Mies van der Rohe in 1929 is from Knoll, and was a piece of furniture that we reused from the previous incarnation of the home. The accessories are American Arts & Crafts purchased in the early days of David Rago Auctions.

The table sits on a wonderfully washed out Antique Garden Tabriz area rug that provides understated classical richness to the room, subtly contrasting with the wool sisal carpet below.

A print by Joan Miro circa 1970 hangs over the custom limestone fireplace surround inspired by Carlo Scarpa.

In the foreground area are a pair of T-stools designed by Pierre Chareau in 1927 – iconic Modernist objects that provide additional seating.

In the right corner is a Klismos chair designed by T.H. Robsjohn-Gibbings.

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#TBT – East Coast Rooms – 2000

Design, Printed Matter

Glenn Gissler - Blog - 2015 - East Coast Rooms - Den-1-John-Hall-Copy-640x497

It may be wishful thinking, however as an antidote to the Winter blues here’s an optimistic look back at images of a house designed for Summer enjoyment that might be a welcome respite for us all.

Glenn Gissler - Blog - 2015 - East Coast Rooms
In 2000, author Anna Kasabian came out with her book East Coast Rooms: Contemporary Portfolios from 40 North American Interior Designers 

Kasabian is a freelance writer, journalist and the author of 14 books. Her writings on interior design and architecture, art, food and cooking, luxury and historic real estate, garden design, home and garden preservation projects and New England have been published in regional and national magazines.

 

Glenn Gissler - Blog - 2015 - East Coast Rooms - Entry-Foyer-John-Hall-Copy-640x820

An antique English Art & Crafts table and vintage American lamp add a level of ‘architectural’ interest to this modest Entry Hall.

Glenn Gissler - Blog - 2015 - East Coast Rooms - Den-2-John-Hall-Copy-640x497

Sea Grass and linen slip-covers and unlined linen curtains on stained wood rods evoke easy breezy Summer days. The graphic silhouettes of an eclectic mix of antiques – Aesthetic Movement, English Arts & Crafts, French and American – balance the heavier fully-upholstered pieces in the room.

Glenn Gissler - Blog - 2015 - East Coast Rooms - Dining-Room-John-Hall-Copy-635x820

A pair of vintage steel chandeliers hang over the custom table, surrounded by a set of caned circle-back chairs with arms from Robert Lighton.

 

 

Glenn Gissler - Blog - 2015 - East Coast Rooms - Websize-Master-Bedroom-Jo-640x801

The iron bed and plaid cotton area rug recalls simple old-school summer houses. The shutters are applied to the wall beneath the windows to ‘correct’ their awkward shape and placement on the wall, while adding more visual cues reminiscent of days gone by.

Donald Judd – Double Take

Design, Ruminations

Glenn Gissler - Blog - 2015 - CROP-236422

 

 

Donald Judd (1928-1994) Chair,1993 – Finish Color Plywood – RISD Museum

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A double take is an act of quickly looking at something that is surprising or unusual a second time after looking at it a moment earlier.

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The RISD Museum often focuses attention on a single object in an exciting program they call ‘DOUBLE TAKE’ where two different art/design educators or curators offer different perspectives or ‘takes’ on a single object in the museum collection. I have seen a number of these dialogues, they are fantastic!

One the items being featured in a new series DOUBLE TAKE: COLOR is a chair that I gave to the Museum designed by Donald Judd…

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